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Here are a few shots from March 2024 which may be considered a visual diary of what was catching my eye. Although all shots were processed the same (through Abode Lightroom) shots were taken on a mix of iPhone (first set), as well as the Fujifilm XE3 with 35mm lens, and also on my old Fujifilm XT2 with manual 28mm and 50mm Pentax lenses (second set).



The XT2 still takes a good shot, even though the rear screen no longer works! But that just adds to the analogue feel as you can't see what you've got until they've been uploaded onto the laptop. But I liked being forced to slow the process down and make each shot more considered. This is something I keep coming back to, so April may see more images shot in this format.




Quite an eclectic mix as usual, lots of rain (i.e. umbrellas), some sun and a few quirky moments, but overall a few familiar themes featuring light, shade and reflection.


So, let me know what you think... any favourites?!


 
 
 

‘Early Morning Mist’ shot in 2013 from San Giuliano, Mestre, is one of the most popular images in the exhibition. Appealing to both locals and visitors alike it seems to capture the beauty and tranquility of the lagoon.

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Although the exhibition print has been sold, it is still available to view until Saturday, so why not come down and see it before the buyer collects! Unframed reprints and digital downloads are also available.

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Entering the final days of the exhibition ‘Caigo -Venetian Fog’ it is extended until 14.00 Sunday 25th February @kunst.depot.venezia so come and check out the full collection before closure.

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It seems that carnival 2024 is now off in full swing. Here are a few shots from previous years. Some of which may be included my upcoming exhibition: ‘Caigo - Venetian Fog’ - but to find out if they make the cut, you’ll have to come along!



Opening 10th February at 17.00 @kunst.depot.venezia





 
 
 

Contact: andy@monochromevenice.com

All rights reserved (c) Andy Parker 2025

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Monochrome Venice.  Black and white photography in and around Venice, Italy, by Andy Parker

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