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News, views and musings


As another month closes, presented here are a selection of monochrome shots during the transition from winter to spring across Venice. Whilst busy in the gallery for my recent Venice Street Geometry exhibition, I didn't get around to posting much from February, so here's a little catch up of things that caught my eye, and my lens over recent weeks. Lots of familiar themes looking at light, shadow and reflections, but also a new focus on street geometry as well as a project highlighting the vandalistic grafitti that is appearing across the city.


Despite shooting digital, more recent work has seen a return to using analogue, vintage lenses (Pentax-M) mounted on the Fujifilm XT5. This slowed down approach is seen as positive and allows for more considered composition, as well as providing a more film-like aesthetic. Moving forward I am tempted to experiment more with film and film scans, as a way to return to basics. I feel, for the sake of creativity, I need to step away from digital, and especially social media, so April will start as a film only month, so let's see what that entails. Hopefully I can post some results in a few weeks!


Some of these recent shots above will be made into fine art prints, so if you are interested in purchasing any, please let me know!


As a new addition to this blog, I also want to share recent inspiration. Earlier in the year this came from reading Matt Stuart's (@mattu1) very insightful 'Think Like a Street Photographer' which turned out to be a little gem. Although a different style to street photography from what I create, the book was extremely readable and I would consider useful for any photographer or any genre.


Another new discovery is a new photography podcast by Tim Bingham called Talking Frames which has opened my eyes to several new photographers. Most notably Betty Goh (@betty_goh_photography) and her street abstracts and Stephen Leslie (@step_hen_les_lie) and his use of humour. Stephen Leslie also has his own YouTube channel featuring his 'Show and Tell' documentaries about many famous and contemporary photographers which are well worth a look.


More recently, there have been some new documentary films appearing on the Darkroom Rumour website, which have been highly inspirational. Personal highlights include Elliott Erwitt: Silence Sounds Good, Sabine Weiss: One Century of Photography and also the incredible story of Gerda Taro in Searching for Gerda Taro. Another recent film, and one not to be missed for anyone interested in photography, is the amazing story of Lee Miller in the recent film 'Lee' starring Kate Winslet and based on the biography 'The Lives of Lee Miller' by Antony Penrose, Lee Miller's son. Highly recommended.



AP

To buy any fine art prints from the Monochrome Venice archive, please email andy@monochromevenice.com or check out the prints page: www.monochromevenice.com/prints

 
 
 

One of my personal objectives as a photographer is to find ‘natural filters’ and produce effective shots in camera rather than using post-production to generate effects later.  Good vintage effects can be found throughout Venice but seeking out the dirty, salt splattered glass of the vaporetto (water bus) and the vaporetto stops, work best in my opinion.  One of my personal favourite locations for this includes the San Zaccaria vaporetto stop in St Marks basin where gondolas frequently pass by and there is the amazing backdrop of the church and island of San Giorgio.  There are also great curved mirrors (used by the vaporetto drivers to assist mooring) which add naturally, distorted abstract elements. 



Shooting in manual focus mode often works best to help pinpoint focus, but sharpness is not the aim here. Shooting at a aperture of around f4/5.6 also allows distant elements to be included but with keeping emphasis on the forground subjects. In the past I have tended to use a slower shutter to add some motion blur but these days I am shooting at high ISO around 6400, to generate more grainy tones in camera.   Minimal post production help lift shadows and reduce highlights, but I love these timeless, slightly abstract images.


Fujifilm X-E3 w.35mm on manual, f5.6, ISO 6400. Feb 23


Strangely  almost exactly a year apart, here’s a similar shot from the same location.

Fujifilm X-E3 35mm on manual focus, 1/25, f4, ISO 200. Feb 22.

Fujifilm X-E3 35mm on manual focus, 1/2400, f5.6, ISO 6400. Feb 23


The stop offers a clear view of tourist-ladened gondolas which frequently pass across the bay. Shooting through the glass adds optical effects including increased 'grain' from a dirty window or rogue reflections, which can mimic film defects which, in my opinion, provide a more unique experience than just shooting cleanly.


Fujifilm X-E3 35mm on manual focus, 1/10, f5.6, ISO 200. Feb 22.


Reflective effects and abstractions are endless around Venice, and we'll look at various reflection shots, using glass or mirrored surfaces as well as from the water, later in the series. AP.

 
 
 

Contact: andy@monochromevenice.com

All rights reserved (c) Andy Parker 2025

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Monochrome Venice.  Black and white photography in and around Venice, Italy, by Andy Parker

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